Shivani Aggarwal is a contemporary visual artist whose practice reimagines the familiar, using everyday materials to question ideas of domesticity, gender and societal norms. Working with thread, wood, fabric and found objects, she transforms the ordinary into layered narratives—each piece a meditation on the seen and the unseen.
Her installations are tactile conversations, where texture becomes language and objects hold memory. By weaving, binding and assembling, she challenges the boundaries of form and function, inviting viewers to engage not just with the artwork, but with the emotions and questions it evokes.
As a Season 1 artist with Burgoyne Original Masters, Shivani brings a deeply personal yet universally resonant voice—one that threads together material, metaphor and meaning into immersive works of art.
Shivani Aggarwal is a contemporary visual artist whose practice reimagines the familiar, using everyday materials to question ideas of domesticity, gender and societal norms. Working with thread, wood, fabric and found objects, she transforms the ordinary into layered narratives—each piece a meditation on the seen and the unseen.
Her installations are tactile conversations, where texture becomes language and objects hold memory. By weaving, binding and assembling, she challenges the boundaries of form and function, inviting viewers to engage not just with the artwork, but with the emotions and questions it evokes.
As a Season 1 artist with Burgoyne Original Masters, Shivani brings a deeply personal yet universally resonant voice—one that threads together material, metaphor and meaning into immersive works of art.
"The defining moment in my practice was
shifting from small, benign paintings
to large-scale sculptures — suddenly
everything became larger than life
and so did the meaning of my work."
"The defining moment in my practice was
shifting from small, benign paintings
to large-scale sculptures — suddenly
everything became larger than life
and so did the meaning of my work."
"The defining moment in my
practice was
shifting from small,
benign paintings to large-scale
sculptures — suddenly everything
became larger than life and so did
the meaning of my work."
