Burgoyne Original Masters joined the launch of the Young Collectors’ Programme (YCP) Edition 2026, reinforcing its commitment to supporting contemporary art, craft and cultural dialogue. The day-long programme brought together exhibitions, outdoor installations and a central pavilion that served as a space for conversations, performances and collective exchange. The evening concluded with two immersive performances—the first rooted in textile and material practice, followed by a sonic sculptural work. Together, they created a reflective closing moment centred on presence, sound and embodied experience, echoing the values of curiosity, collaboration and creative stewardship that define Burgoyne Original Masters.
Mother’s Calling unfolded as a deeply immersive performance rooted in Sri Lankan shamanic healing traditions. Centred on the worship of a mother deity, every element was meticulously crafted by the artist from the hand-worked textile costume to the intricately beaded ceremonial objects – each carrying symbolic meaning and ritual significance. As the performance evolved, audiences were gradually drawn into its quiet yet compelling rhythm. What began as a moment of stillness transformed into a powerful invocation, leaving viewers captivated by its intensity, precision and emotional resonance.
In ‘Weight of the Unweighable’, Harsha Durugadda presented a powerful reflection on the invisible burdens of the digital age. Draped in chroma-key green, his body became a site of erasure as he assumed the role of a modern delivery worker, carrying a harness of discarded monitors and keyboards—a striking metaphor for the hidden weight of our virtual lives. Through labour-inspired movement and the haunting call of a farmer’s megaphone, the performance transformed the intangible into something deeply physical. It invited audiences to confront the lasting impact of digital consumption and posed a quiet yet urgent question: Can we ever escape the weight of what we leave behind?